Friday 22 January 2016

Research and Analysis: VTPAMPHLET

Vocal Exercises

1. Posture!

The first step in developing vocal technique is to establish good posture for singing. Your body is your instrument and poor alignment or unnecessary tension can affect how well you sing. Good posture enables good breathing. Think of your body as the engine that drives your voice and your breath as the fuel that drives the engine.
  • Stand with your feet hip width apart. Your weight should be evenly distributed. A good exercise is to transfer your weight from right to left foot, forward and backwards and round in a circle and to then move to a centered place. Your knees should be relaxed and your arms should rest by your side. Be wary of your chin and neck: singers often raise their chin in the belief that they are helping the sound come out when really, this places unnecessary strain and tension on the voice.
Once we have established good posture we move to the second step in developing vocal technique: learning to breathe well during singing. Having control over your breathing will not only help to support your voice but will enable healthy singing to take place.

2. Breath!

DiaphragmThere are three key breathing skills singers need to learn:
  1. The ability to inhale large quantities of air .
  2. The ability to snatch a good breath quickly .
  3. The ability to control the escape of breath .

Breathing well helps to support your voice. Singing without having any breath left is a very common thing most beginner singers do which results to tiring your voice. 

To help improve your breathing:


  1. Breathe deeply from your lower lungs - imagine a rubber ring around your waist (your diaphragm)

  1. Breathe in and try to push the ring outwards.

  1. Breathe in through your nose and out through your nose and mouth.

  1. Avoid raising your shoulders as you breathe in, always keep them relaxed and level with one another.

  1. Relax! Tension will prevent you from making a good sound.


A technique that I've always use to help me to breathe well is...


Lie on the floor on your back with your hands on your stomach. 
Breathe in (inhale) and your hands will rise. 
Now breathe out (exhale) and they will lower.


There are two breathing techniques that a singer can take on the responsibility and self teach themselves.


THE HISSING EXERCISE:
Take a deep breath in, then exhale gently in a 'SSSSSS' breathe (hissing like a snake).  Try to keep your exhalation as a steady and constant stream for as long as you are able to.
THE SNATCHED BREATHS EXERCISE:                                                                          Breathing in gradually,thinking of your lungs filling up in fractions, when you count. Focus on the diaphragm, being careful not to hold tension in the throat.

3.Tighten that drum!

As a singer you need to be able to understand how the diaphragm, lungs, chest cavity  play a huge part in effecting the delivery of the sound of your voice. I could use the illustration of a drum, a drum that is tuned loosely creates a flat sound which I will find boring to hear as it will be lacking resonance. Resonance is the vibrations that create the tone through your mouth, throat, and nose. So the technique to do is to be able to expand the rib cage by flexing the muscles that pull your ribs in and out, this will result in better tones in your voice as well as increasing your lung capacity, this will also allow you to take less breathes between verses, resulting in better control. 
Ruth: This exercise will be so beneficial to me because I have problems with breathing while singing, I tend to take too much breathe in-between verses which is unnecessary and wrong as the sentences in a song comes out sounding cut and sometimes sharp however this only happens because I get a feeling I seem to run out of  air too quickly or early. My goal for 2016 as a singer is to be able to increase my lung  and vocal capacity as this will help me to have better control while singing. I do see myself having a career as a singer, I know before all of that I need to give myself a regime that I would follow each week which will include practising the 'tighten that drum' vocal technique a lot more as this is the main issue that holds me back all of the time. I have recently joined a gym to work on my obliques most importantly. I've learnt from successful singers such as Beyonce that using the treadmill and singing at the same time helps the endurance of an performer on stage mainly if your a dancer and a singer combined. Especially for me as I am a student, studying Musical Theatre this technique will be a huge assets to my class.


4.Drink Water

To keep your vocal cords hydrated you should always drink water. Some prefer drinking warm water, claiming that it better refreshes your throat. However I find drinking ice cold water can aid in keeping swelling down, especially after a killer belting performance. Unfortunately last week I was suffering from tonsillitis and I went to see my doctor and I got advised to eat ice cubes as my lungs were bulging red I wasn't quit sure why, however my doctor explained that it helps throat discomfort. Afterwards I got given dissolving 
paracetamol which I had to take three tablets three
times a day and put it in warm water to  to use it to gaggle.
Most importantly you should definitely avoid smoking, 
and foods or liquids that dehydrate the body.



Ruth: Drinking water twice a day is healthy for a singer as it keeps you hydrated and allows your skin to be clear.Water is one of the fundamentals of life which i've learnt at Brit School from the early stages of my life as a performer. The flexibility of your vocal chords and the tone of your singing voice all depend directly on the amount of water in your body. Sipping water throughout the day will ensure that you have enough fluid to keep your body and your voice well irrigated and be prepared to carry out all the processes that we take for granted but are actually so vital to our well-being. Since 2013, when I seriously took it seriously and started drinking water my vocal range expanded and were able to reach the notes that I couldn't before. Th

5.Facial Muscles

As with other vital muscles that support great singing. The neck and facial muscles play an obvious role. Really the goal is to minimize the effort required to sing, so that you may effectively control your tone and your pitch. Warming up can not be avoided. There are mainly 10 groups of muscles in the neck, head, and face. Each consisting of numerous tinier muscles all working in harmony to create the beautiful sound making up your voice. Here is a list in order of the types of movements you can perform on various parts to prepare yourself to sing:
1)  Yawn
 2)  Jaw Stretch
 3)  The Pucker
 4)  Silly Smile
 5)  Eye Brow Lift
 6)   Eye Roll






Thursday 21 January 2016

Final Draft

Have you ever wondered how it felt to be a King of great fortune?

The king Midas ruled the country of Phrygia in Asia Minor, he had everything a king could ask for.
He had authority, riches and an over flowing bank account adding with a population who worshipped him.
He lived in a luxurious…. Prestigious…. Modernised…. castle nearby a river.

However he was never satisfied or happy. (WHY IS THAT?)

He shared his abundance life with his beautiful daughter who wore glistening garments, she had rich gold, bouncy hair, she had capturing deep sea blue eyes which you couldn’t help but gaze through, adding on with her pearl white teeth which complimented her smile at all times.
Although he was very rich and money was his obsession, the king thought that his greatest happiness was provided by gold gold gold & MORE GOLD. (LAUGHS)

One afternoon, on a warm, blissful-blazing-bright spring sunny day, Silenus walked happily through the kingdom of Midas. The almighty God of wine and revelry got delayed along the way, BARCUS started getting tired and decided to take a peaceful nap in the famous rose gardens, illustrated with different colours to each rose, resembling to a rainbow.

(HAND GESTURES INVITING THE AUDIENCE IN)The king walked by and recognised him and instantly invited him to spend a few days at his enticing palace.

King Midas enjoyed having SILENUS around but soon it was time for him to go. The god Dionysus was pleased Midas had helped his friend and offered to grant Midas a wish.
He promised Midas to satisfy any wish of him.
Midas went into profound thought *tick tock tick tock* (BUZZZZ)

He said: I HOPE THAT EVERYTHING I TOUCH BECOMES GOLD! (STAMPS)
Although BARCUS warned the king to think well about his wish, Midas was too distracted and was definitely positive about the wish he has made

(QUICK) (JUMPS) The next morning Midas JUMPS OUT OF BED in a rush to discover if his selfish wish came true.

He extended his arm touching a small table that immediately turned into gold (PING)
 Midas was over the moon and touched the chair (PING),
the carpet (PING) and even the bathtub (PINGGGGGG)

He later on sat on the table with excitement having his breakfast and then took a rose to absorb the fragrance (SNIFFS)…… when he touched it, it turned into gold (ping). (PAUSE)………………….

He became very miserable.

I suppose he thought in disappointment.

He suddenly became fearless of everything around, he started panicking (SHAKES), and tears filled in his eyes (SNIFFS)
His gorgeous daughter entered the room amazed by the fact everything that everything was gold, IN THE BLICK OF AN EYE she glanced at her father as she heard him cry,
 She screamed ‘Father what’s the matter, I’ve never seen you cry before’ as she rushed to embrace him with comfort, SHE. TURNED. INTO – GOLD (ping)

Despaired and hopeless, he fell to the floor, and raised his arms and prayed to BARCUS to take this curse from him.

‘Dear God I know you might not want to hear me, but please God forgive for my sin, remove this curse of my hands.’

The God heard him and spoke with power
‘My son I’ve heard you, I am glad you got to realise what your selfish ways have led you to’.

(SWITCH SCENERY, WALKING…)
The God felt sorry for him and told Midas to go to the river and wash his hands,
as he done so, he saw gold flowing from his hands.
(AMAZED, LOOKS AT HIS HANDS AND LOOKS TO THE SKY, GRATEFULLY)

Midas turned home and everything he touched turned normal again. ‘AT LAST!’
 He shouted with relief.

Midas hugged his daughter in full happiness and decided to share his great fortune with his people. (NODS FROM SIDE TO SIDE)

From now on, Midas became a better person, generous and grateful for all the goods of his life.
His people led a prosperous life and when he died, they all mourned for their beloved King.

The story of King Midas is a myth about the tragedy and the story of what happens when true happiness is not recognized. Midas was a man who wished that everything he touched would turn into gold. However, he had not thought that this wish was not actually a blessing, but a curse. His greed invites us to think and realize the consequences that may lead us to become slaves of our own desires. The phrase ‘the Midas touch’ comes from this myth and is used to say that somebody has a good fortune.

Tuesday 19 January 2016

UNIT 28: STORY TELLING AS PERFORMANCE DRAFT TWO (FINAL DRAFT)

Have you ever wondered how it felt to be a King of great fortune?

The king Midas ruled the country of Phrygia in Asia Minor, he had everything a king could ask for.
He had authority, riches and an over flowing bank account adding with population worshipped him.
He lived in a luxurious prestigious modernised castle nearby a river.

However he was never satisfied or happy. (WHY IS THAT?)

He shared his abundance life with his beautiful daughter who wore glistening garments, she had rich gold, blonde bouncy hair, she had a capturing deep blue sea eyes which you couldn’t help but gaze through, adding on with her pearl whitened teeth which complimented her smile.
Although he was very rich and money was his obsession, the king thought that his greatest happiness was provided by gold gold gold & MORE GOLD.

One afternoon, on a warm, blissful-blazing-bright spring sunny day, Silenus walked happily through the kingdom of Midas. The almighty God of wine and revelry got delayed along the way, Dionyssus started getting tired and decided to take a peaceful nap in the famous rose gardens, illustrated with different shapes and colours to each rose, resembling to a rainbow.

The king walked by and recognised him and instantly invited him to spend a few days at his enticing palace. (HAND GESTURES INVITING THE AUDIENCE IN)
After that, Midas himself took him to Dionyssus, the God of celebration. Was very pleased of Midas’s kindness towards him.

He then promised Midas to satisfy any wish of him, Midas went into profound thought *tick tock tick tock* (BUZZZZ)

He said: I HOPE THAT EVERYTHING I TOUCH BECOMES GOLD! (STAMPS)
Although Dionyssus warned the king to think well about his wish, Midas was to distracted and positive about his SINFUL wish.

(QUICK) The next morning Midas JUMPS OUT OF BED in a rush to discover if his selfish wish came true.

He extended his arm touching a small table that immediately turned into gold (PING, Midas was over the moon and remained touching the chair (PING), the carpet (PING) and the bathtub (PINGGGGGG)

He sat on the table to have his breakfast and took a rose to absorb the fragrance (SNIFFS), when he touched it, it turned into gold. (PAUSE)………………….

He became very miserable.

I suppose he thought in disappointment.

He suddenly started the sense fear (SHAKES), tears filled in his eyes (SNIFFS)
His gorgeous daughter entered the room amazed as she looked at everything that became gold, she glanced at her father as she heard him cry, she screamed ‘Father what’s the matter, I’ve never seen you cry before’ as she rushed to embrace him with comfort, she turned into gold.

Despaired and fearful, he kneeled to the floor and raised his arms and prayed to Dionyssus to take this curse from him.

‘Dear God I know you might not want to hear me, but please God forgive for my sin, remove this curse of my hands.’

The God heard and spoke in authority ‘My son I’ve heard you, I am glad you got to realised what your selfish ways have led you to’

The God felt sorry for him and told Midas to go to the river and wash his hands, as he done so, he saw gold flowing from his hands.

Midas turned home and everything he touched turn normal again.

Midas hugged his daughter in full happiness and decided to share his great fortune with his people. (OFFERS A HAND TO ONE PEROSON IN THE AUDINCE TO JOIN THE SCENE OF UNITY)

From now on, Midas became a better person, generous and grateful for all the goods of his life.


His people led a prosperous life and when he died, they all mourned for their beloved King.

UNIT 28: STORYTELLING AS PERFORMANCE DRAFT ONE

Have you ever wondered how it felt to be a King of great fortune?

The king Midas ruled the country of Phrygia in Asia Minor, he had everything a king could ask for.
He had authority, riches and an over flowing bank account adding with population worshipped him to extreme

He lived in a luxurious prestigious modernised castle nearby a river.

However he was never satisfied nor happy.

He shared his abundance life with his beautiful daughter who wore glistening garments, she had rich gold, blonde bouncy hair, she had a capturing deep blue sea eyes which you couldn’t help but gaze through, adding on with her pearl whitened teeth which complimented her smile.

Although he was very rich and money was his obsession, the king thought that his greatest happiness was provided by gold gold gold.

One afternoon, on a warm, blissful-blazing-bright spring sunny day, Silenus walked happily through the kingdom of Midas. The almighty God of wine and revelry got delayed along the way, Dionyssus started getting tired and decided to take a peaceful nap in the famous rose gardens, illustrated with different shapes and colours to each rose, resembling to an rainbow.

The king walked by and recognised him and instantly invited him to spend a few days at his enticing  palace.

After that , Midas himself took him to Dionyssus, the God of celebration. Was very pleased of Midas’s kindness towards him.

He then promised Midas to satisfy any wish of him, Midas went into profound thought *tick tock tick tock*

He said: I HOPE THAT EVERYTHING I TOUCH BECOMES GOLD!    

Although Dionyssus warned the king to think well about his wish, Midas was to distracted and positive about his SINFUL wish.

The next morning Midas woke up was in a rush to discover if his selfish wish came true.

He extended his arm touching a small table that immediately turned into gold, Midas was over the moon and remained touching the chair, the carpet

UNIT 28: STORYTELLING AS PERFORMANCE // MYTHS& LEGENDS Perform Critique - 14 January 2016

KING MIDAS AND HIS TOUCH!


Positive Feedback        

In my performance of my first draft of my storytelling performance I was able to add elements of each scene.

I had a true sense of connection with the audience while performing, which showed a great technique of being able to switch off the narrative to the character at any moment of time.

I put in a good variety of dramatic effect during the climax section where king Midas kneels down and cries to the Lord for his curse from his hand to be removed, I changed the tone of my voice and I had tearful eyes.

Good arch of the story telling.

I used good sound effects such as a 'stamp' 'tick tock tick tock'

Vocal phonation

Repetition of words in different pitches 'gold, gold, gold'

I had a good understanding of taking the audience into a emotional journey.


Negative Feedback

I used too much spacing, which needs to be thought through about as I need to  be able of each performance space I will be having.

For a more high classed character for example for the God I need to put in a speech he would say before he removes the curse from the king.

Introduce the king's daughter as she enters the room with confusion as to why her father was crying, before she actually turns into gold.


                  



Tuesday 12 January 2016

UNIT 28: STORYTELLING AS PERFORMANCE Research: StoryTelling around the World

How are stories told around the world?

It’s said there isn’t anyone you couldn’t learn to love, once you’ve heard their story. Dave Isay knows that. The ability to honor every human by listening to what they have to say about themselves is central to StoryCorps, the nonprofit he founded in 2003.

The premise of StoryCorps is simple: One person interviews another and their conversation is recorded for posterity. It’s a strikingly straightforward proposition. But then, storytelling has always been less about glitz or gadgetry and more about connection and communication. No matter the tech, humans have invariably figured out a compelling way to tell each other stories.

That’s not to say we all tell stories the same way. Far from it. As Kay Turner, a folklorist and independent scholar who’s on the board of the New York Folklore Society, notes, “Even if a story is the same, each culture will tell it differently, because each one has its own genres and cultural rules.” That’s led to a host of different traditions and practices beloved around the world. Here are just some of them.


Hula
ideas.ted.com
You might not know it while on an island vacation luau, but traditional hula dancer’s dance not to a beat, but to language, Hawaiian-language chants or songs. Without the words, the dance loses meaning as a story. Hula shares traditional stories as well as mythology and creation tales, including those of the gods and goddesses of the islands.




Chinese Shadow Puppetry

ideas.ted.comTraditional shadow puppetry tells folk stories, issues moral lessons, and projects specific local customs. Most often seen at celebrations such as weddings or religious festivals, the puppets are silhouettes shaped from leather or paper that are manipulated on long rods by storytellers. The puppeteers either sing, often in falsetto, or are accompanied by singers and musicians. Though it originated in China during the Han dynasty, the tradition has spread to countries throughout Southeast Asia.



Zajal
ideas.ted.comThe classical Arabic version of a poetry slam or rap battle, Zajal originated in Lebanon and is practiced across the Middle East and the United Arab Emirates. Competitions pit one poet or spoken-word artist against another. One poet recites a stanza (often insulting the opponent), then the other responds with a stanza using the same meter and rhyme.



Cunto
ideas.ted.comThis ancient Sicilian storytelling method draws from Greek theatre and relies heavily on improvisation. It alternates between sung verse and spoken prose and is often performed on a small wooden platform. The stories can occasionally include marionettes, though are typically told with a single prop or none at all. The storytellers, known as cuntisti, traditionally tell stories of epic heroes and their struggles, though these days they also include tales of daily Sicilian life.



Rakugo
ideas.ted.com
This Japanese tradition is performed in monologues by a single storyteller, called a hanashika. The storytellers are similar to comedians, and they tell tales of daily life and reinforce historical and moral lessons, though they generally avoid making direct reference to particular events or figures.



Griot
ideas.ted.comGriots, or Jelis, are the traditional keepers of a society’s history in West African cultures. Griot storytellers often play instruments such as the kora, similar to a lute, and preserve family and cultural histories in the manner of a genealogist. In some West African cultures, griots were at once singers of praise and messengers for nobility.




Bharatanatyam
ideas.ted.comIndian temple dancers, or devadasis, perform bharatanatyam, a dance that is considered a form of prayer. The dances tell the stories of specific deities, such as Krishna or Shiva, and are unique to different temples and spiritual days. While the bharatanatyam, which originated in Tamil Nadu, in South India, has been in existence for millennia, it has experienced a renaissance in the past century.



Calypso

ideas.ted.comCalypso developed in the early 20th century in Trinidad, where the lyrics, which described local life and neighborhood dramas, were used as a tool to share news and shine a light on everything from the challenges of a banana farmer to local political corruption. As a political tool, calypso was often subject to censorship by the government. “Song is a popular form of expression in all Caribbean storytelling,” says Maxine Alexander, a Jamaican-American artist and storyteller. “Reggae and calypso deal very heavily in political injustice and social disparity, so storytellers use this musical platform to express things that couldn’t be spoken about. We’re singing about the stories around us in daily life.”


Link

Monday 11 January 2016

Term 2: 1st Half @PJ #Schedule

Term 2: 1st Half

Technical Exercises that I need to work on:

I need to work on my sight singing as this is what I struggle with the most from the start of the term. By the end of this term i would be able to sight reading and singing so i will have the ability of being able to sing a piece of music previously unseen and unrehearsed, as it is a skill you should have as a singer in general. This technique will be beneficial for me during a open call audition which the director would expect you to be able to read key notes on a music sheet.
Many vocalist sing by ear and don't find the need to learn to sight which is the mentality i had as i followed other people. However as a singer i've learnt that 'session and 'classical sight readers need to be able to read sheet music on first sight.
  
So therefore...

Every Monday i will dedicate 1 hour at 6pm to practice my sight singing with my 
#SSTHEORY booklet which Ike has given to us in class to help me improve on my sight reading and singing.

The areas of voice that I find challenging and also need to work on:

I will need pay attention of my tone of voice while singing as i tend to sound quite sharp when i am trying to reach for them higher notes. I honestly think that happens due me not using enough air while singing, this mainly happens as i over think before before actually singing during a belted part, which causes me to panic and aswell tension within' my vocal chords.

So therefore..

I've taken on the challenge to search of for musical theatre songs which would challenge my vocals to a higher extent. This is very important for me as i believe i already have such a powerful voice but i lack major confidence the moment after a climax within' a song. Listening to singers like Mariah Carey and Whitney Houston has enabled me more or less copy the way they taken on certain belting parts as it arrives. After work every Sunday I take on a song i've chosen at the start of the week and decide to sing the song in front of my family, and later on getting critical feedback from them. During this whole process i record myself singing too. As i can take the feedback and listen back to spot the sections i went wrong. The only way to improve as a singer is to being able to notice yourself where you are going wrong, no matter how much times you get approached about your mistakes if you, yourself you are not able to identify them, you'd never improve and get better.

The areas of the voice that i can handle but need to refine:

I have a handle on my projection and being able to sing alone. This always gets explained by others that it shows my commitment towards the song, as i naturally sing like this it results to me straining my voice quite often. Twice now during this school year, i kept being ill before a show, so tend to put myself on voice rest couple often days before a performance. 

Targets that I would like to achieve:

1. I would like to confidently know how to read music sheets and notes without hesitation.

2. I could explore different genre of music as I tend to just stick to modern ballads.

3. I will need to learn how to gather information of the character in the song and learn to interpret it through acting through song accurately.

The deadlines of my work, in how to reach my targets are due on the 20th January 2016.


UNIT 28: STORYTELLING AS PERFORMANCE Research Presentation: Story Order

1.       The wish was a king of great fortune who ruled the Phrygia in Asia Minor, he had everything a king could ask for.

2.       He shared his life of abundance with his beautiful daughter, even though he was very rich, Midas thought that his greatest happiness was provided by gold.
Money was his obsession.

3.       Dionyssus, the God of celebration was very grateful of Midas for his kindness, he promised Midas to satisfy any wish of him
4.       Midas’s hope/wish was “I hope everything I touch becomes gold”

5.       The next day Midas was very eager to see if his wish came true, he touched a small table and it turned to gold, following up with a chair, carpet, the door and his bathtub.

6.       He sat on the table to have his breakfast and took a rose to absorb the fragrance, when he touched it, it turned into gold.


7.       I suppose he thought in disappointment.

8.       He suddenly started to sense fear, tears filled in his eyes.


9.       Midas hugged his daughter, she turned into a golden statue!

10.   Despaired and fearful, he raised his arms and prayed to Dionyssus to take this curse from him.

11.   The God heard and felt sorry for him and told Midas to go to the river and wash his hands, and he saw gold flowing from his hands.

12.   Midas turned home and everything he touched had become normal again.

13.   Midas hugged his daughter in full happiness and decided to share his great fortune with his people.

14.   From now on, Midas became a better person, generous and grateful for all the goods of his life.


15.   His people led a prosperous life and when he died, they all mourned for their beloved king. /                                                                                                                                                                                                               

Tuesday 5 January 2016

UNIT 28: STORYTELLING AS PERFORMANCE The story...Research Presentation: King Midas and his touch ! 6/01/16


The story of King Midas is a myth about the tragedy of avarice and narrates what happens when true happiness is not recognized. Midas was a man who wished that everything he touched would turn into gold. However, he had not thought that this wish was not actually a blessing, but a curse. His greed invites us to think and realize the consequences that may lead us to become slaves of our own desires. The phrase the Midas touch comes from this myth and is used to say that somebody has a good fortune.

Want to discover more myths? View all Myths | Next myth: The myth of Europa Discover the myth of King Midas and his golden touch The wish Midas was a king of great fortune who ruled the country of Phrygia, in Asia Minor. He had everything a king could wish for. He lived in luxury in a great castle. He shared his life of abundance with his beautiful daughter. Even though he was very rich, Midas thought that his greatest happiness was provided by gold. His avarice was such that he used to spend his days counting his golden coins! Occasionally he used to cover his body with gold objects, as if he wanted to bath in them. Money was his obsession. One day, Dionyssus, the god of wine and revelry, passed through the kingdom of Midas. One of his companions, a satyr named Silenus, got delayed along the way. Silenus got tired and decided to take a nap in the famous rose gardens surrounding the palace of king Midas. There, he was found by the king, who recognized him instantly and invited him to spend a few days at his palace. After that, Midas took him to Dionyssus. The god of celebration, very grateful to Midas for his kindness, promised Midas to satisfy any wish of him. Midas though for a while and then he said: I hope that everything I touch becomes gold. Dionyssus warned the king to think well about his wish, but Midas was positive. Dionyssus could do nothing else and promised the king that from that following day everything he touched would turn into gold.

The curse
The next day, Midas, woke up eager to see if his wish would become true. He extended his arm touching a small table that immediately turned into gold. Midas jumped with happiness! He then touched a chair, the carpet, the door, his bathtub, a table and so he kept on running in his madness all over his palace until he got exhausted and happy at the same time! He sat at the table to have breakfast and took a rose between his hands to smell its fragrance. When he touched it, the rose became gold. I will have to absorb the fragrance without touching the roses, I suppose, he thought in disappointment. Without even thinking, he ate a grape but it also turned into gold! The same happened with a slice of bread and a glass of water. Suddenly, he started to sense fear. Tears filled his eyes and that moment, his beloved daughter entered the room. When Midas hugged her, she turned into a golden statue! Despaired and fearful, he raised his arms and prayed to Dionyssus to take this curse from him.

The atonement

The god heard Midas and felt sorry for him. He told Midas to go to river Pactolus and wash his hands. Midas did so: he ran to the river and was astonished to see gold flowing from his hands. The ancient Greeks said they had found gold on the banks of the river Pactolus. When he turned home, everything Midas had touched had become normal again. Midas hugged his daughter in full happiness and decided to share his great fortune with his people. From now on, Midas became a better person, generous and grateful for all goods of his life. His people led a prosperous life and when he died, they all mourned for their beloved king. 

UNIT 28: STORYTELLING AS PERFORMANCE Task 2: (MIDAS)

Midas  (MYE-das)
Mythological possessor of the "Midas touch", the power to transmute whatever he touched into gold. Midas was a king of Phrygia, a region nowadays part of Turkey. One day some of his farmhands brought him a satyr they had caught napping in the vineyard. This creature, part man, part goat, still groggy and much the worse for wear, had been thoroughly trussed up to keep him from escaping. Midas immediately recognized Silenus, right-hand satyr to the god Dionysus, and ordered him set free.

Silenus explained that he and his master had just returned from the East where they had been engaged in spreading the cultivation of the grape. Dionysus had brought back a tiger or two, an ever-expanding flock of followers and one very drunken satyr. Silenus had conked out in Midas's vineyard to sleep it off. Now he was grateful to the king for treating him with dignity, and so was Dionysus. The god was so pleased, in fact, that he offered to grant whatever Midas should wish for.

Now, you didn't get to rule a kingdom in those days without a pretty active grasp of what makes for a successful economy. Midas didn't have to think twice. As the simplest plan for the constant replenishment of the royal treasury, he asked that everything he touch be turned to gold.
Arching a godly eyebrow, Dionysus went so far as to ask if Midas were sure. To which the king instantly replied, "Sure I'm sure." So Dionysus waved his pinebranch sceptre and conferred the boon.

And Midas rushed back home to try it out. Tentatively at first, he laid a trembling fingertip upon a bowl of fruit and then a stool and then a wooly lambkin. And when each of these had been transmuted in a trice into purest gold, the king began to caper about like the lambkin before its transformation.
"Just look at this!" he crowed, turning his chariot into a glittering mass of priceless-though-worthless transportation. "Look what daddy can do!" he cried, taking his young daughter by the hand to lead her into the garden for a lesson in making dewy nature gleam with a monotonous but more valuable sheen.

Encountering unexpected resistance, he swung about to see why his daughter was being such a slug. Whereupon his eyes encountered, where late his child had been, a life-size golden statue that might have been entitled "Innocence Surprised".

"Uh oh," said Midas, and from that point on the uh-oh's multiplied. He couldn't touch any useful object without it losing in utility what it gained in monetary value, nor any food without it shedding all nutritional potency on its leaden way down his gullet.
In short, Midas came to understand why Dionysus had looked askance when asked to grant the favor. Fortunately, the god was a good sport about it. He allowed Midas to wash away his magic touch in the river Pactolus, which ever after enjoyed renown for its shimmering deposits of gold.